There are moments where it achieves the highest camp, and times where it strives for something attempting dark grittiness, and that middle ground is a brutal no-man’s-land. The premise itself, while definitely out there, could possibly work, if the nonsensical screenplay didn’t throw everything at it to see what sticks. It’s too self-reflective to be an entertaining mess of unintentional hilarity, but none of the actual scripted punchlines land. What to make of “The Last Witch Hunter”? What a curious conundrum.
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